Apoio:

Associação Comercial, Industrial de Agropecuária de Ouro Preto







Secretaria de Estado de Turismo de Minas Gerais







Fundação de Arte de Ouro Preto







 

Presentation | History | Revolution | Nature | Architecture | Districts


Photo-assemblage: Our Lady of Mercês - Aleijadinho's sculpture (top), Museum of Inconfidência (center), Saint Francis' four temptations - Manuel Pereira de Carvalho's painting (left), Cachoeira do Campo waterfall (right)
Photo-assemblage: Our Lady of Mercês - Aleijadinho's sculpture (top), Museum of Inconfidência (center), Saint Francis' four temptations - Manuel Pereira de Carvalho's painting (left), Cachoeira do Campo waterfall (right)

Beyond History

Text and photo: Marcelo JB Resende
Collaborator: Kelly Juliane Dutra (Turismo - UFOP)
English Version: Márcio Abdo de Freitas, MBA

Altar of church Our Lady of Nazareth - rural district of Cachoeira do Campo

Church of Our Lady of Carmo

 


Visiting Ouro Preto is a hard task for a medium. He might feel a strong burden of human energy that lingers over its churches and houses. All the same, it is not necessary to be overly sensitive to realize that one does not wander alone in this Minas Gerais' town village. There is always something, an imaginative shadow that follows by and might whisper forceful words of love or hatred. Ouro Preto is a fascinating model of what humanity produced of best and worst. Here history weighs on our shoulders.


A fabulous and lovely 18th-century town village deeply stuck in the valleys of Minas Gerais' mountains. Anachronistic, amazing, fascinating... Ouro Preto resurges as a vision, a mirage amidst the dense mist of dawn. The impression for first-time visitors is exciting. All of a sudden, it seems as if a journey back in time is a reality. A pilgrimage of the living mixing up with a pilgrimage of the dead. Historical and anonymous personages spreading fallacies and mixing themselves shoulder to shoulder to the contemporaries.

Ouro Preto is above goodness and evil. Those who won't be able to realize this will not enjoy this town accordingly. It is extremely humane, therefore courageous and cruel. Cruelty has been written in the darkened walls burned by whale oil of the old gold mines. Slaves were forced to enter in small openings and stay there all day long, breathing smoke from the torches, smelling sweat from exhausted bodies and the suffocating odor exhaling from urine and excrements. Courage, by its turn, rests radiating in the Hall of Freedom inside the town's main museum, where the remains of those patriots who once dreamed Independence of Minas Gerais and, at large, of Brazil rest in solemnity.

Ouro Preto is no place for good-or-bad dualism. We just have to send ourselves back to a time when there were no laws, a chaotic soup-like mixture of diverse interests that took its own shape and gave birth to the first society bearing modern characteristics in Brazil. As the country was born at some point on the maritime coast, its conception as a nation actually took place in Minas Gerais. Vila Rica was the Alma Mater and the new-born nation was nurtured in Gold.

Due to its outstanding value, Ouro Preto was decreed a National Historic Monument in 1933 by the brazilian federal government. World eyes and recognition would come later in 1980, when UNESCO declared this 18th-century old colonial town village as a Cultural Heritage of Mankind. Ouro Preto legacy well exceeds its borders, and its essence is the proper essence of mankind.

  Opera House - oldest theater in Latin America

Procession - Holy Week Residents decorate street pavements for Holy Week processions

Ouro Preto view (Church of Pilar to the left)

Buildings profile of Ouro Preto

School of Mines (old Governor's palace)


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Public reproduction only with permission.

 

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